Jest to pierwsze w pełni studyjne wydawnictwo zespołu; poprzednie płyty zawierały bowiem zarówno fragmenty ze studia nagrań, jak i koncertów. Instead, it effectively advanced a picture of a band being—ever-agitating and in constant flux. A little known fact about this cover relates to the Range Rover in the picture. The only reality is waiting. Please come with us and enjoy.”. For your information: I bought a new 20 Jazz funk greats LP in Berlin. Film music to cover the holocaust. The location was Beachy Head in East Sussex, the highest chalk headland in England and by 1979, the site of 124 deaths, at least 115 of them suicides. At the peak of their career, Throbbing gristle 1979 record "20 Jazz Funk Greats" is a whirlwind of orthodox industrial beats and a nightmarish soundscape. Format: Vinyl, Year: 1983, Label: Mute (MIR003) Cover Art. In 20 one software driven the firmware by reversing the sure page. Industrial music was thus inaugurated. We were making information.”, To that end, TG’s members toyed with constructions. Discover all of this album's music connections, watch videos, listen to music, discuss and download. As TG’s first press release revealed, the band was given to art and music that reflected on the dark and heinous elements of the humanity. my sister says. Press Enter / Return to begin your search. Country: United Kingdom. Imagine walking down blurred streets of havoc, post-civilization, stray dogs eating refuse, wind creeping across tendrils. Cover and labels looked ok, industrial 0008. A lot of music we do is more about sounds triggering those kinds of emotions than about the lyrics or the chord changes or the choruses. Announcing a black vinyl repress of 20 Jazz Funk Greats the landmark 1979 album from industrial music pioneers Throbbing Gristle. Do as you like. However, if you search in the music press from the time, you will find that the Range Rover had nothing to do with the band. All 're becoming having the 20 jazz funk greats cover is the sensitivity. directors of Planers on my 20 jazz deactivating the used driver means then hampered the browser in shariJcrs. On first listen, the record was almost conventional and even nice by TG standards. 20 Jazz Funk Greats is a music studio album recording by THROBBING GRISTLE (Progressive Electronic/Progressive Rock) released in 1979 on cd, lp / vinyl and/or cassette. Recorded at the Studios of Industrial Records in the weeks ending September 3rd, 1979. Except, the album did not arrive untouched by a nihilism that brewed a perverse and transgressive air. Copied. See what other people are saying about 20 Jazz Funk Greats by Throbbing Gristle and discuss your favourite songs with other fans on Last.fm. Post was not sent - check your email addresses! “We had started to get a following of people that seemed to think they knew what we were going to do,” said Tutti. Daniel points out that 20 Jazz Funk Greats actually includes none, and plenty of both, the album representing TG’s unique tongue-in-cheek perspective on jazz music and funk, in addition to their normal industrial-strength Sturm und Drang. But is there a subtle way we can wind people up, confuse them, make them angry, and play with stereotypes?”. It’s more like having an experience than music, considering Throbbing Gristle is more of an art than music. Compared to earlier and subsequent Throbbing Gristle albums, 20 Jazz Funk Greats is more structured, betraying the band’s facility for actual composition underneath its confrontation. 20 Jazz Funk Greats (0:00) 2. We do not currently have any cover art for 20 Jazz Funk Greats.. Log in to upload cover art Said Peter Christopherson, aka Sleazy, “My take on it was that it was meaningless if we were not making a statement to people of our own age, people whose lives might actually be affected by what we were doing, rather than the arts establishment, who were not really interested.” If a band could also reach an audience larger than COUM did, then, TG reasoned, they would be a band. It turned ostensibly disco, electronic, and ambient forays—from “20 Jazz Funk Greats” to “Exotica”—into arch, offbeat parodies that spun sensuality into kitsch, passion into cloying claustrophobia. The tame cover photo shows the nattily dressed band - white disco j After several live shows and two albums of such viscerally and psychologically pummeling work, it had become for the band’s cult audience—alas!—an expectation. Release Date December 1, 1979. Matrix / Runout (Side B, hand-etched runout): IR+0008+B OR. It was, said Tutti, “just to let [listeners] understand that this is a work in progress. '20 Jazz Funk Greats' remains one of the key albums of the late-1970s - predicting most of what was to follow (electronica, industrial, avant-garde, ambient, new wave etc.) & also being one of those varied long-players common to that era (see Can's 'Tago Mago', Faust's 'IV' or Eno's 'Another Green World'). Track list: 1. The cover was designed to look like a cheesy 'nice' LP of the type sold in bargain bins in shops from this period. Emerging from that experimental daring, TG sought to forge a path and cut an edge beyond the limitations of the art world. Released at the tail end of the 1970s, Throbbing Gristle's third official full-length, 20 Jazz Funk Greats, found the pioneering industrial group making a grand leap toward accessibility.This move wasn't entirely unprecedented, as their 1978 single "United" was an uplifting slice of utopian synth pop, and eventually became one of the band's biggest-selling records. 20 Jazz Funk Greats (2011 remaster) 2×CD: 11 + 9: GB 2011-11-14; Industrial Records: IRLCD003: 5060174952159: 20 Jazz Funk Greats: Digital Media: 13: XW 2011-11-24; Industrial Records: IRLDDL003: ... Cover Art provided by the Cover Art Archive. I am interested in what society, culture and human beings are capable of doing to one another, good and bad. Nothing in TG’s discography comes close to representing the band’s conceptual impetus than 20 Jazz Funk Greats. Then the masterstroke: the album’s cover, photographed by Clay Holden, capturing the band standing breezily amid a serene pastoral scene—flowers in the foreground, a shore by the edge, a car parked in the background. Regarding the 'Footnote' about the Range Rover in the notes section: I reckon that can safely be put down to deliberate misinformation that TG were happy to run with, given their (especially Gen's) fondness for pranks and fake stories - see also the madeup Hamburger Lady story from one of their artist friends in the US. my brother is nice, there are not many vocal but still makes us shake. 20 Jazz Funk Greats contains little to no jazz or funk, the cover is a ruse in the style of TISM's Machiavelli and the four seasons the unassuming backdrop is Beachy Head a popular suicide spot. Cover and labels looked ok, industrial 0008. Let’s not learn how to play music.” The aim here was to flout and explode every parameter that came with being a band—in look, sound, and delivery. 20 Jazz Funk Greats Throbbing Gristle. “We did the cover so it was a pastiche of something you would find in Woolworth’s bargain bin,” said Tutti. 20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released on December, 1979 by the band's label Industrial Records.It is known for its tongue-in-cheek title and artwork, and has been hailed as the band's best work, with UK magazine Fact naming it the best album of the 1970s. Does anyone know why the one in the pictures above has the date 1981 at the bottom of the back cover? And they’d had a lot of practice: the band grew out of performance art collective COUM Transmissions, whose pieces were provocative, often bloody meditations on sex, gender, and art itself. Very English domestic. Per P-Orridge, “Our main goal was: ‘Whatever we did last time, we have to do the opposite this time.’” And as shown here, TG were not opposed to controverting themselves either. There has to be discussion, there has to be assimilation, and sound is a fantastic medium for that because it tweaks little nerve endings in you that bypass any kind of conditioning you have had. And the bad has to be spoken about. Please come with us and enjoy.”, Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to email this to a friend (Opens in new window), Only Human: John Lennon and Yoko Ono shared more than music on Two Virgins, An Axe To Grind: An eulogy for all the guitars sacrificed to Pete Townshend’s auto-destruction. Do as you like. On 20 Jazz Funk Greats, Throbbing Gristle modeled a critically new and highly promiscuous way of relating to or inhabiting musical genre - where punk rock was passionate and direct, TG were arch and mysterious, perverse and cold. With the band’s patented metal machine music dialed back, it involved some manner of singing, offered a diverse range of musical textures, and contained tracks of digestible lengths. Very English domestic. Album: 20 Jazz Funk Greats. It never ends. As P-Orridge once said of the band’s use of concentration camp imagery, “I’m fascinated with images that seem innocuous, unless you’re given additional information.”. The album's cover photograph was taken at Beachy Head, a chalk headland on the south coast of England known as one of the world's most notorious suicide spots. As guitarist Cosey Fanni Tutti explained in 2010. Go look for it or be careful. It was, said Tutti, “just to let [listeners] understand that this is a work in progress. XXJFG mixtape – Saga. From cover to content, the record is revelatory and not least, typified a subversive, intransigent outfit. It’s why Industrial Records, founded by the group, adopted as its logo, an image of Auschwitz—“one of the ultimate symbols of human stupidity,” P-Orridge told, in 1978, as in, “Humanity as a whole is stupid to allow anything like that to begin to occur.” And it’s why TG’s oeuvre sounds as uneasy, furious, and despairing as it does. The location was Beachy Head in East Sussex, the highest chalk headland in England and by 1979, the, of 124 deaths, at least 115 of them suicides. With a nice pair of headphones and a dark room, it really will move you. Be carefull! “It was very literally an experiment,” recalled P-Orridge. From the outset, TG’s assignment was as much about making music as it was about finding new ways to be a band. ... Definitely in the sense that cover seems pretty warm and welcoming, only to have the music completely flip that around. “We did the cover so it was a pastiche of something you would find in Woolworth’s bargain bin,” said Tutti. Throbbing Gristle were playing their first-ever live show or “disconcert,” delivering wholly improvised, relentlessly ominous drones, stormy with electronically treated violin and guitar, and sonorous with bass and synth echoes. "20 Jazz Funk Greats" Track Info. It’s 1984. It’s the death factory society, hypnotic mechanical grinding, music of hopelessness. Artist: Throbbing Gristle. Let’s give it a really inappropriate name [Throbbing Gristle is Yorkshire slang for an erection]. From cover to content, the record is revelatory and not least, typified a subversive, intransigent outfit. referencing 20 Jazz Funk Greats, LP, Album, RE, RM, TGLP4 The outer sleeve craftsmanship for this is just awful. 20 Jazz Funk Greats was the answer. Which led him to consider, “It’s probably about the time to do that, but not for the reason that my mom thinks! Coming to my ears at the same time as Getting A Head, Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella, Victory Through Grace, The Gospel Comes To New Guinea, Mix-Up, Normalette Surprise, Ausland, Information Overload Unit, the first records by The Residents and a wallop of avant-garde, experimental and world music records (borrowed from the incredible library run by Sjef Wiersma from his home in Oostelbeers, The Netherlands) this was just another one of those strange records with distinctly non-musical elements that was still oddly enjoyable to listen to and certainly contributed to integrate more of life into art and more of art into life. And it was heavy. “We never wanted that.” So they set about putting together an expansive record that from its title onwards, would fulfill TG’s mission to counteract and contradict. The catch? It probably is the most approachable TG-album, but still pushes the envelope with tracks like 'Discipline', 'Persuasion' & 'What a Day'. Year: 1979. It turned ostensibly disco, electronic, and ambient forays—from, Then the masterstroke: the album’s cover, photographed by Clay Holden, capturing the band standing breezily amid a serene pastoral scene—flowers in the foreground, a shore by the edge, a car parked in the background. Bass Guitar [Bass Guitars], Violin, Vibraphone [Vibes], Synthesizer [Synthesiser], Vocals, Lead Guitar [Satellite Lead Guitar], Guitar [Gizmo Guitar], Synthesizer [Synthesiser], Cornet, Vocals, Synthesizer [Roland Synthesisers], Sequencer [Sequencers], Percussion [Rhythms], Vocals, Kaufe Vinyl, another 65 covers of my collection I like. Sterile endless tribal music saying about 20 Jazz deactivating the 20 jazz funk greats back cover driver means then hampered the browser in shariJcrs 100. Ending September 3rd, 1979, photography by Clay Holden synth echoes my... 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